![]() ![]() Here, I settled on the Laplace projection. On my other pictures, the Robertson projection looked best. go to Filters->Edge-Detect->Edge and mess with the settings a bit. We're done with it.įirst we'll work on the Edge layer, since it gives a good foundation for the next step. You can hide the Background layer, if you want to. The middle layer we'll call the Watercolour layer, as that's the one that'll be doing all the "work" once we get to it. The top layer we'll call the Edge layer, for reasons that will become obvious. You don't want them to be sharp, but you should be able to make out the character's eyes in good detail.Īfter setting that up, duplicate the Blur layer as before, twice. Also, set the Max Delta high, and slowly reduce it bit by bit until the facial details are good and visible. Specifically, you want a Blur Radius relative to the size of the image (something huge and detailed needs a higher blur radius, whereas you can probably drop it to 8 if the image is already portrait-sized). So, go to Filters->Blur->Selective Gaussian Blur and set the settings hereabouts. ![]() Also, it helps for the next layer we're going to make. This is what I call the "Blur Layer." In short, we need to blur the original picture a bit watercolours are not super great on fine details, and we can almost see Ms. Create a duplicate layer (it's the image of the stacked photos on the layer dialogue, or right click and select it). Remember, the sizes are 210×330 for the _lg one, and 76×96 for the _sm one. Secondly, if you need to, now's a good time to crop the image for your main portraits. I think the best practise here is to zoom in a little bit more for the regular portrait, then out a bit for the watercolours, so the sides of the head are (ideally) not "hanging off" the sides of the watercolour. If you're working with the original (recommended), crop it to a squareish area that contains definitely every part of the image you want to use. The first step, obviously, is to open up the image in the GIMP. We're going to be portrait-ing the druid in blue, in this case. After much deliberation, I settled on this piece, Druid in Green, Druid in Blue, by Isriana:
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